Erik Mirzoyan seated in a dark studio portrait


    Erik Mirzoyan seated in a dark studio portrait


MUSIC

Recording offers Mirzoyan another kind of space – one in which the three instruments at the centre of his work can exist on their own terms. From classical clarinet and solo piano to traditional duduk repertoire and contemporary collaboration, each recording reveals a different part of the same musical identity.

Recording offers Mirzoyan another kind of space – one in which the three instruments at the centre of his work can exist on their own terms. From classical clarinet and solo piano to traditional duduk repertoire and contemporary collaboration, each recording reveals a different part of the same musical identity.

ALBUMS

    Reflections album cover featuring Erik Mirzoyan with a duduk

REFLECTIONS

2025 · Album · Duduk

Reflections is a seven-track recording centred on traditional melodies and the distinctive voice of the duduk. Rather than treating the repertoire as historical material preserved at a distance, Mirzoyan approaches it as something alive – music capable of carrying inherited memory while remaining personal to performer and listener.

Across the album, mourning and longing gradually open into resilience, intimacy and light. Mirzoyan also took an active role in shaping the recording beyond performance, contributing to its arrangements and producing “Tsaghkats Baleni” and “Sareri Hovin Mernem”. This makes Reflections not only an interpretation of inherited repertoire, but a recording project shaped by his own musical perspective.

In 2026, Reflections received the BraVo Award for Classical Album of the Year.

SOLITUDE

2024 · Album · Piano

Solitude reveals a more private dimension of Mirzoyan’s musical life. The eleven-track solo piano album brings together more than an hour of music by Brahms, Beethoven, Rachmaninoff, Tchaikovsky, Chopin, Sibelius and Medtner.

Although clarinet remains his principal classical instrument, piano has accompanied Mirzoyan since childhood. Solitude gives that part of his musical identity its own space – not as a departure from his work as a clarinetist, but as another way of approaching colour, harmony and expression.

    Solitude album cover featuring Erik Mirzoyan in a dark portrait

Erik Mirzoyan

Erik Mirzoyan

Erik Mirzoyan

“I want people not simply to listen to music, but to live it with me.”

“I want people not simply to listen to music, but to live it with me.”

“I want people not simply to listen to music, but to live it with me.”

OTHER RECORDINGS

    Hungarian Fantasy No. 1 cover featuring Erik Mirzoyan with clarinet


HUNGARIAN FANTASY NO. 1

HUNGARIAN FANTASY NO. 1

2020 · Single · Clarinet

István Kohán

An early recording centred on Mirzoyan’s principal instrument, Hungarian Fantasy No. 1 captures the virtuoso character and dramatic contrasts of István Kohán’s work in a concise clarinet statement.

    Samsara Passengers album cover


SAMSARA PASSENGERS

SAMSARA PASSENGERS

2025 · Collaboration · Duduk

Øneheart · Dean Korso · leadwave

Mirzoyan appears as a duduk musician on Samsara Passengers, performing on the album’s opening track “shifting sands” and on “nomad”. The collaboration places the acoustic voice of the duduk within the atmospheric electronic world created by Øneheart, Dean Korso and leadwave.

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